Are you already prepping for NaNoWriMo? My thoughts – Please share yours!

I know… it’s August, but there are a couple reasons why I’m already thinking about November.

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This month, I’m finishing up my novel The Witch’s Uprising, gearing up for another year of teaching kids, and reading fantasy fiction as part of a 25inFive challenge.

I like keeping busy, but I also like balance.

I have a tendency to overbook myself when I don’t plan ahead. November is a particularly interesting month in terms of being busy:

  • My birthday is at the end of November, and I thought it would be a nice gift to send The Witch’s Uprising out to as many publishers as I could before my birthday. This feels like a the right step. I’ve already begun my research, and I feel more and more confident each day.
  • November is a nexus of obligations, celebrations, and explorations. I have to plan anything I’m doing ahead of time. Wedding planning, my teaching job, family, and friends obviously come first. So I need to manage my time and energy well if I want to continue writing during the year.
  • NaNoWriMo is in November, and I love the intoxicating energy bubbling through the online writing community. Even now, I imagine myself participating, just for enjoyment.

As I research and study several avenues of self-publication, online publication, and author-related social media, I notice that I often daydream about writing new pieces outside of my mainline series. It would be nice to draft a quick 50,000 word novel, if only to have fun writing with other people in the exquisite madness of NaNoWriMo. I’d like to reconnect with the joy of writing a new piece really, really, quickly.

Here are my questions to you:

  • Are you thinking of participating in NaNoWriMo?
  • Are you already prepping for November?
  • Are you working on something else?  

Share your thoughts in any case! I WANT TO KNOW.

-Curtis


 

(Psst….. You Can Read The Witch’s Uprising: Part One on Wattpad!)

Witch's Uprising Experimental Cover

 


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“Just writing” – How a summer of writing is teaching me to do life better

This is one of a series of posts for my writing challenge, Minutes to a Better Book. You can read more about the challenge, and see all related posts here.  


 

 

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I Wrote an average of 2.5-3 hours a day, for ten days…

I’ve reached the 30-hour milestone for writing my books. I’m happy with the results:

  • An almost-finished manuscript of The Witch’s Uprising (TWU)
  • A longer manuscript than expected
  • Meaningful changes to character arcs and conflict
  • A completely posted Part One of TWU on Wattpad – You can read it here.
  • Rankings on Wattpad going up: 

    Instagram: @CurtisWritesBooks
    One of my Instagram stories. @CurtisWritesBooks

Other Results:

  • I was able to work through some writer’s apprehension I’d been having over the last few months.
  • My mental health is better, and I’m starting to balance my life. This was the biggest success.

(There are, of course, always more details. You can check out my public posts on Patreon if you interested.  All public posts are available here. )


Just Doing vs. Meeting Quotas: What writing without a word count made me realize…

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Why does it feel so easy to write, all of a sudden? Maybe it’s because I have more time this summer than usual, but the very task of writing feels so different when I sit down to do it.

The real answer?

Between work obligations and commitments to friends and family, it had been hard to find time to create, and when I found the time, I didn’t write well.

I was out of balance. I touched on this briefly in my last post.

My time is balanced now, and when I sit down to write, I’m just writing and enjoying writing. It reminds me of a Zen Buddhist idea of being fully present while “just doing” something.

On that note, I stopped using word counts.

Writing without them has helped me be more creative. For example, I focused last week’s time on crafting scenes, and I wasn’t worried about reaching a quota of words. My characters came to life instead of robotically moving through their conflicts.

Don’t get me wrong. I’ve been a fan of using word counts in the past, and why not? Word counts are useful. It’s nice to set a challenge. It’s nice to do a writing sprint every once in a while, but any method can become a crutch. The act of writing was no longer fun when I was just aiming at a particular goal.

I learned a valuable lesson this summer. By taking care of myself, my commitments, and my time, I was better able to enjoy writing – just writing. Setting aside blocks, without any arbitrary word count or quota to meet. Just writing for however long I can.

An hour. Two hours. Three if I have them.

I know I won’t have this much time forever. In fact, in a month and a half, my work-life balance will tip towards work. But after this summer, I won’t forget what I just learned:

-Make time for writing that doesn’t intrude on valuable family time and social commitments.

-Taking care of your mental health.

-Just write… Just write and enjoy writing. 

Before this summer, time was scarce, but more specifically, my imbalance negatively impacted the quality of my time. I was putting goals on a pedestal, and while goals are fine, experience has taught me that putting goals before balance leads to burnout.

Balance is important. This whole process makes me want to do a better job balancing my life…  I mean, who would want to miss a morning of this:

 

I hope you find a routine that works for you, and that you find a way to “just do” too.

Be well.

-Curtis


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How would ______ do this? Three more questions to ask yourself when experiencing a creative block. . .

I knew I had an idea . . . I knew it was great, but where did it go? The blank screen had no answer for me, and only the sound of my cat meowing filled the air. What happened to that shiny object I was chasing? Luckily, I had an answer.

This is the second post in a series on creative blocks. You can read the first post here.

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Ideas are abundant, which is why I take the time to create notes for new ideas that I have.

That is what I would say to you if I was diligent.

The truth is. . . I run with my ideas, big and small, and sometimes, they get lost.

Some writers call this being a pantser from the phrase “flying by the seat of your pants.” I’m guilty of being a pantser; however, there are times when I really do take the time to develop my ideas, like my current project A Thousand Watchful Eyes.

Today was not one of those times. Part of today was a “shiny object” day, where I chased new ideas like a small, eager animal collecting whatever catches its eye.

It’s tragic. I am attracted to new ideas like cats to fuzzy socks. Sometimes I can’t stop.

While this process is almost always exciting, there is always the danger of losing out on an idea that would be a worthwhile investment.  Luckily, today’s shiny-object fiasco came after a morning of creating fiction.

A Full Morning of Fiction

For those of you new to Paper Palaces, I am working on a fantasy saga. The finished work will span twelve novels (a prequel series and main series). Every day, I try to work on the project, but I also have to dedicate my time towards other tasks. Managing this time is often difficult, as everything seems important. Last week, I wrote about a new writing challenge to push myself towards dedicating a large amount of my time towards writing my books. So far, it is working.

Still, I want to write short stories, and I want to start new books. Yesterday, I wanted to a create handful of detailed blog posts and useful how-to articles, and today, I just needed to write fiction. The urge to create more writing ensues, but wanting to write more is not enough.

I fought the urge to chase shiny objects today by focusing on one project: my fiction.

Here’s what happened:

  • I revised chapters for three hours.
  • I made detailed notes about new chapters.
  • I redrafted two old chapters and wrote one new chapter.
  • My chapters look better.
  • I no longer feel stressed writing new posts and articles.
  • I now have time to pursue my “shiny object” ideas, if only I could remember them.

In essence, there is no issue, but I want to keep writing, and my ideas have run dry.

What is a person to do?

What I have done to fight this type of creative block

Keep a list!

Really, keep a list of the ideas that you want to develop. This list could evolve into a document, a database, a binder. . . Honestly, it can be as big or as small as you need.

There’s an interesting technique that some artists use, where they create a portfolio of inspirational images to motivate them through the creative block. In this case, your list would keep your fledgling ideas safe until it was time for them to take wing.

But what if you forgot to add the idea to the list?

Well, honestly there’s not much you can do. But I suggest asking the following questions.

Here are three questions you should ask yourself when your ideas are scattered or missing . . .

  1. What inspired me today?

  2. Are there any other ideas that I have yet to develop?

  3. How would _____ do this? 

These open-ended questions will help you to open up the creative part of your mind, and I’m not just talking about writers. This will help with any project. These questions help me when my brain feel so overwhelmed, or so blank, that it needs a starting point.

Each question focuses on different solutions for creative block. Number one focuses on building specificity, number two focuses on working through former ideas, and number three focuses on developing organization and style.

When all is said and done, I enjoy the writing process, but that does not mean I don’t get stuck. In fact, it’s my desire to make write a large body of work that sometimes keeps me away from the screen.

In order to focus, in order to fight the blank page, we must find what works, and that looks different every day.  Here is how I approach each question:

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Question # 1: What inspired me today?

This may be the easiest question to answer. You simply have to remember what you have done today. If you can’t think of something inspiring, try thinking of something that makes you curious.

Were their people you interacted with that sparked your curiosity today? Was there a moment that stood out to you as interesting? How could you translate part of your personal experience today to your craft?

Finding inspiration is sometimes as simple as sitting down and writing stream of consciousness for ten minutes and picking an idea that appears. I call this method a “brain spill.” Caution – don’t publish your stream of consciousness, or “brain spill.”

Your goal is to get to a place of specificity, not to produce polished writing. This is great if you don’t have any ideas on hand because there is always something to use from your brainstorming session. There is always something that you can use from your day if you spend enough time thinking about your experience from different angles.

Question # 2: Are there any other ideas that you have to develop?

For non-fiction, I have a document that is an entire list of questions sorted by topic. Someday, I will answer all of those questions. Each question is open-ended.

I have another document that is a list of story titles, character names, and one-liners. I used to keep these in a handwritten journal, but lately, I like to keep everything digital. These are helpful for writing fiction.

I sporadically collect pictures and articles from the web to help inspire me. Pinterest is a pretty great tool for that, but it’s also an easy way to procrastinate.

Keeping your ideas handy for later will help you build a bank of ideas to develop. These seeds of ideas are not ready on their own, but with enough care and the right conditions, they can grow into better ideas, stories, projects, etc . . .

Question # 3: How would _____ do this? 

This is a great one if you have a personal hero in your field. Sometimes I think to myself: How would J.K. Rowling do this? How would George R.R. Martin do this? Or, more specifically, how would Rick Riordan describe this character? How would Kelly Barnhill explain this to a child? How would my favorite blogger structure this post?

You can get as specific as you want, or stay general. The point of this exercise to think outside of yourself. This gives you a break from your own organization and style, providing a space for you to create something new.

Take-Away

If I remember anything from this today, it is to keep my idea bank full while also dedicating appropriate time to my projects and to never give up, no matter what complications arise.


I hope these questions help you with your creative projects.

-Curtis

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Where is the most dangerous place for your characters to go? – Eight questions for building fictional worlds.

Building Fictional Worlds Part I: Setting and Characterization

When building a fictional setting, the connection between your characters and the world they live could make or break the believability of your creations. Therefore it is very important to deepen the connection between your characters and their landscape.

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Setting Impacts Character

It was 5:45am last Wednesday when I drafted a scene between two characters having an argument about their beliefs. Each character came from a different regions of their fictional world – one from a well-developed medieval city, and the other from a seaside fishing village at the end of Sothgren Reach.

These two characters have vastly different experiences, and to make matters more complicated, their perspectives are shaped by regional differences. Their stories converged in my work in progress The Witch’s Uprising, the first in nine novels about my fictional world – Brylennia.

Crafting Brylennia has been an exhilarating experience, resulting in characters that share a rich history, with a variety of perspectives.

Early sketches and inspirations

 

The following eight questions were useful in my development of Brylennia. These questions have helped me flesh out different aspects of Brylennia, and of each other regions “on the map.”

My goal was to strengthen the connection between the setting and the characters inhabiting it, resulting in a detail-rich experience for readers. Also, I wanted to have some fun creating a fictional world. Hopefully you can use these questions in your own projects or as a way to spark your reading curiosity.


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Here are eight questions to ask yourself to strengthen the connection between the setting and your characters:

  1. How has the landscape changed over time?
  2. How has the geography influenced the beliefs of your characters?  For example, if they are polytheistic, is there an emphasis on one god or goddess over another?
  3. Does geography influence the inequities in your societies? (If there are inequities).
  4. Are any particular people in direct access to resources that others do not have? How does all this influence an intelligent person from the region, or an ignorant person for that matter? Does this cause prejudice between groups of people?
  5. What freedoms or privileges does one group enjoy over others, if any?
  6. Do people dress differently in each region? Is this due to fashion, practicality, some other reason, or a combination of these reasons?
  7. Where is the most dangerous place to go?
  8. What’s the safest way from one place to another in your world? Who has made it through, and who has not?

So you know, I hope to explore each of these questions individually in future posts as part of a world-building series. You can stay updated on these posts as they are published via this blog.

If it’s easy for you, please follow me here on WordPress,  Twitter , and/or via email as part of our reader’s club

I hope these work for you!

-Curtis

Are you depleted of ideas, or do you just need to re-energize? Three questions to ask yourself when experiencing a creative block.

It was Saturday morning, and I stared at a half-written scene in the all-to-familiar agony of writer’s block. My usual urge to craft a scene had left me, and my cat, Horton, made a bed of my forearms. The time had finally come to do something else.

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My relationship with creativity is ridiculous.

At times, ideas won’t stop entering my mind. However, there is the occasion when I feel like my mind has run completely dry. During these times, I often try to re-energize my writing, change a routine, or work on a different aspect of my writing project.

This usually happens after I have planned an arc or chapter and the actual work of fleshing out the scene stands before me. Don’t get me wrong – I very much enjoy the process, especially if the idea is brand new. This was not the case with my current project.

Routines and Low Points

For those of you new to Paper Palaces, I am working on a fantasy saga known as A Thousand Watchful Eyes. I chip away at this project each day in a different way. Last week, I wrote about how little changes in my routine have impacted my writing progress.

While I have continued with my routine this week, I took some time to reflect on how I could revamp my daily writing habits. I added a half-hour writing sprint to my morning tasks.

The results were surprising:

  • 4/5 of the days were successful.
  • On Thursday, I wrote nothing, opting for more sleep from an exhaustive week. (I made up the lost word count on Friday).
  • I wrote an average of 800 words per sprint.
  • With each day, I felt like my scenes were developing, but all too slowly. Some were a little stale.
  • By Saturday, I felt some writer’s apprehension and eventually some blockage with creating new material.

What I do when faced with a creative block:

When faced with a creative block, I usually turn to revision. Revision energizes me and gives me relatively simple task to accomplish. It activates the creative part of my mind, and pushes me forward.

For me, the obvious solution was to take the new scenes from this week and revise; however, I just didn’t want to do it. I was completely tired of writing the novel, which many writer’s know is a dangerous place to be. This is what I consider a low point in the writing process.

So… what did I do?

I worked on something else.

I decided to take the day off  – not from project itself, but rather from the task of generating and revising scenes. Instead, I opted for investing time in tasks that inspire me to write the chapters, refresh my mindset, and help me build a richer, more interesting fantasy world for my characters to live in. 

This is my advice for any person feeling the lull of a project that requires dedication willpower, time, and sustained effort.

Here are three questions you should ask yourself when feeling sapped of creativity:

  1. Is there something else I can work on?

  2. How can I make this more fun?

  3. Am I depleted of ideas, or do I just need to re-energize?

These open-ended questions will help you to reflect on your project, whether you are a writer, reader, musician, dancer, entrepreneur, or anyone else who dedicates time, effort, and routine to a task. They help me revitalize my projects and habits that have devolved into mind-numbing work.

At the end of the day, I write because I love it, because I am fascinated by the world, and because I just really, really have to tell the story of these characters. Some mornings, I forget these simple reasons, as many people do.

In order to keep the momentum going, we must re-connect with the passion behind our passion projects. Here is how I approach each question:

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Question # 1: Is there something else I can work on?

This question is definitely inspired by the idea of creative procrastination. At the end of the week, and the beginning of the weekend, I often want to rest. This was especially true after this week. By shifting my focus to a different aspect of my project – world-building and map-making, I made good use of my time and kept my passion for my fantasy series fresh.

Question # 2: How can I make this more fun?

I won’t lie to you. When I answered this question, it lead me to Youtube, where I began “researching” how to make fantasy maps.

After ten minutes, I felt better.

I cannot deny that this is a form of procrastination, but I would be lying to you if I said it didn’t help me create new material for my novel.

This world-building step was very fun. I ended up drafting new ideas for how the setting of this series will impact my novel without detracting from the integrity of the world I had already created.

Question # 3: Am I depleted of ideas, or do I just need to re-energize?

This question is the most important, as asking the question always leads to activity. Usually, this question comes first.

While my answers vary, I rarely say that I am depleted of ideas, even if I feel that it may be true. When I ask this question, I often can find that there is something in my writing for me to investigate, some idea that makes me interested, a character who needs attention.

Although I have experienced writer’s block, I find the notion of “lacking ideas” a little silly. This is mostly due to my experience with curiosity. If I stay curious, I often come up with new ideas. On the other hand, I almost always feel the need to re-energize at the end of the week.

Maybe this is a signal to me that I need to take a closer look at how I work. Maybe I should always revamp and re-energize on Saturday. Maybe I should schedule blocks of time for just having fun with the novel, or maybe I should schedule nothing at all.

Take-Away

If I remember anything from this Saturday, it is to always re-connect with the passion behind my projects, to push forward with my tasks, and not to give up just because a blank screen or half-written scene feels intimidating.


I hope these questions help you with your creative projects.

-Curtis

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See other Daily Posts for Deplete

A Lightning Storm in My Brain – Navy SEALS, Dark Magic, Middle School, and a Secret Worth Sharing

On my way to work, the sun is rising, I look across a snowy field, and a flock of birds scatters into the air like flakes of debris from a campfire.

I hear a navy SEAL sternly recount the horrors of war.  He talks about discipline in everyday life, and I absorb his experience through my headphones.

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The SEAL’s adventures are far too modern for me to write about, but this field and his words recall an older type of warfare to my mind. The rhythm of horse hooves enters me. When his podcast is over, and everything is silent, my brain is still busy.

I daydream:

Steel clashes and a young woman rides her horse across a snowy field, much like the one I see before me. The woman will travel an entire realm, beyond the forest and the mountains, to a place where she discovers something far more powerful than the enemy she faces.

She is not yet seventeen, yet she tries to save the world from the rise of dark magic.

I breathe in slowly. Right now, she is a twelve-year old girl, a character in my novel, that has yet to grow. She cannot even hold a sword, but someday she will set foot in a snowy field. Someday, after she has surpassed the challenges of the book I am currently writing for her, she will change.

The Lightning Storm in My Brain

When I write, one thought leads to another branching out in several unpredictable directions, like a lightning storm. I feel the same is true when I listen to music or podcasts. One person’s experience leads me to think of another’s.

Sometimes I chart story ideas, plotting possible novels based on these little moments of exploration. Other times, I sit down and draft a scene, discovering the characters within it.

Most of my ideas are forgotten when they are not written down, but there are always a few that resurface. Some even return after years of paying attention to other story ideas, other characters, other plots.

It is as if some themes and some characters have a life of their own, an insistence for their voices to be heard and their stories to be told. 

The thrill of creating fiction, especially pre-writing and beginning stages is often amazing, and most writers know it.

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A Secret Worth Sharing

At times, the act of writing a novel is somewhat mechanical. I found more progress in my word counts and chapter construction simply from dedicating more time towards the craft. Still, one aspect of writing fiction amazes me:

The world seems to change when I’m working on a fiction project. Hours go by while I am absorbed in a scene, and then the next day arrives.

Every detail of every aspect of my life begs to be stitched or weaved into the tapestry of the story. 

Strangers in Chicago become workers in a medieval village square. An unruly beard of a friend becomes the mark of an ancient man in Brylennia. The arguments and discussions of my middle school students remind me of the energetic relentlessness of human curiosity. In the midst of growing from childhood to adulthood, the complexity of human emotion unfolds for us. The world feels – somehow – new and familiar when I write.

It is with this feeling – this thrilling mixture of happiness, introspection, and inquisitive observation, that I share with you one realization I had today. Here is one secret, or rather one truth, worth sharing.

Writing is more than just a mechanical act; it is more than just meeting a word count or completing a novel.

Writing, in many ways, is forging a sword from raw material, imagining the person who will wield it, shaping and tempering the wild steel into something crafted and refined.

It is recalling the family and friends who have loved you, and remembering the lessons within every tarnished relationship.

Writing is the act of bringing together the seen and unseen in any given circumstance.

It is living deeply, and it is a challenge worth pursuing.

 

How One Children’s Fantasy Book Inspired Me to Rethink My Artistic Process…

Lyra’s Oxford

Philip Pullman published his trilogy, His Dark Materials in 1995.  The three main books in the series included:

Northern Lights (The Golden Compass in the U.S.)

The Amber Spyglass

The Subtle Knife

Lyra’s Oxford is a companion novel to the set, along with Once Upon a Time in the North. When I was looking through my book collection, I found an old copy of Lyra’s Oxford in my bookshelf. It was sandwiched between a few other paperbacks I’ve neglected over the years. This edition is simply beautiful in the way it is designed and executed. It is this design that made me take a step back and rethink my creative process.  Take a look at the photos below:

The artwork is the most striking aspect of the book’s visual appeal.  Jon Lawrence, illustrator and engraver, contributed these visuals to the book. The aesthetic is amazing. For me, I can’t resist the look of woodcut and engraved design, nor can I resist the appeal of engraver as a metaphor.

Engravers work on their products with sustained effort over a long period of time, eventually rendering an intricate whole from thousands of little creative decisions.  The parallels to the writing process are pretty obvious.

Jon Lawrence’s work inspires me.  The artwork, layout, and overall aesthetic of this edition urged me to sit down, slow down, and rethink what I do.

Mapping Out A Story

In the center of Lyra’s Oxford, a neatly creased fold-out waits for readers to discover its secrets. This unassuming piece of paper is folded into eighths, with the facing page entitled “The Globetrotter,” a “Series of Maps for the Traveller.”

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The Globetrotter – Lyra’s Oxford, Philip Pullman

As the reader unfolds each section, the pages reveal publications, sketches, and advertisements that directly and indirectly allude to characters in the whole His Dark Materials series. It is an outstanding example of keeping continuity within a series.

When fully unfolded, one side of the fold-out  features a tricolor of Oxford, rendered in gorgeous engraver’s print. This style reminds me of the woodcuts of Will Schaff, another artist whose artwork I enjoy. The other side features a plain grid-style map of Oxford. Of course, the map is not the “real” Oxford. This is the Oxford of Lyra Belacqua, the main character in Pullman’s series. Still, there are similarities between both Oxfords.   

 

I felt a surge of curiosity when I first opened the map. My eye was drawn to each cartouche, emblem, and ink-lined street.

 

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Fold-Out: Jon Lawrence, Lyra’s Oxford

 

Lawrence’s work does a great job at mapping out a story without even telling it. I imagine the collaboration between Pullman and Lawrence was riveting; or, at least I hope so! While I looked at this map, I thought about a comment my fiancé made in my early journey of planning The Staghorn Crown, a fantasy quintet that follows the lives of four girls as they come of age in a magical fortress called the Stellaria.  As I drafted the first scenes of The Staghorn Crown, Laura turned to me and said, “I assume when this is published, you’ll have a map of this place.”

Of course, I had a very specific idea of what I wanted the Stellaria to look like, but I had not thought about hiring an artist to make it. Until then, I had made my own sketches of rooms, towers, and ancient keeps.

After my encounter with Jon Lawrence’s engravings, I could enrich the reading experience of my novels by having these maps available. My search for the best artist to render them is underway, and I continue to sketch in the meantime.

Keeping My Goals, Changing My Process

What is my largest take-away?

I learned that I need to periodically slow down and look at the bigger picture. How will my own books provide an experience for the reader? How can I make my own writing immersive? After all, I enjoy the experiences provided by Pullman, Martin, Gaiman, Rowling, Barnhill, and Nix,  and feel inspired whenever I read them.

Lyra’s Oxford gave me the space to sit down and rethink my creative process. I have so many questions:

How do I craft fiction with excellent continuity? How many revisions will this take? I write this, smiling and knowing that it will take enough revisions to make me happily exhausted.

Part of this blog is documenting this complex process.

For those of you new to Paper Palaces, I am a self-publishing author and teacher.  My overall goal is to write a twelve-novel fantasy saga. In 2016, I created the world, mapped out the books, and treated the project as a hobby. My fiancé and I traveled to England, where I was inspired by the beautiful seaside town of Whitby and the Yorkshire Moors.  After that, I had to create these books. It’s become a little bit of an obsession.

While this dream began with a student’s response to a writing exercise, it has since grown. I hope it keeps growing. In the end, creating these twelve books is about sharing a great story with others. I have decided to keep the same goals, despite add one important aspect to my practice. I am thankfully spending more time slowing down.

The Goals I will Keep, No Matter How:

  • To complete the series and build a readership over the next six years.

  • To release preview chapters and installments of my work online to readers, patrons, students, and friends/family.

  • To become part of a writing community so I can see, appreciate, and share the magic of writing.

I hope the little decisions I make along the way are guided by these larger aspirations.


To stay updated on my books, consider joining the Books of Brylennia Facebook Group, where you can connect with Laura and me on the process of writing, editing, creating this fantasy series, and self-publishing. You can post your own contributions too. Join us on the journey. 

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Saturday Writing Session # 2 – Take-aways from five hours of writing

Paper Palaces Saturday Writing Session (1)For those of you who don’t know, I’m a middle school teacher who is also trying to write a twelve-book fantasy saga in my spare time. It’s the most amazing job in the world, as I get to work with children and their writing. To do my job correctly, I need to be efficient and dedicated. Likewise, my writing practice should follow the same principles.

When I come home, I usually grade papers, work on novel-related projects, and spend time with my fiancé. I have to budget my time; it’s just a necessity. My career has its own schedule, calendar, and set of deadlines. As a result, managing my work life is often easier than finding the time to manage my writing projects.

Until a few weeks ago, I tried to write every day. For two years, I wrote in the morning. Last year, I wrote in the evenings.

In a previous post, I explored the benefits of sitting in one place for six straight hours and writing fiction. I talked about my first six-hour session and why I chose to write in a cafe of all places.

One of the largest findings from my six-hour Saturday session was how incredibly happy I felt.  This made sense. After all, writing is, to me, one of the best activities that a human being can choose to do.

Take-Aways from Today’s Session

Today, I wrote chapters for The Staghorn Crown, my serial novel for patrons on Patreon. I found the five-hour session was useful. Here are some take-aways:

  • I walked into the cafe with a blank page and an empty stomach. I walked out, five hours later, with a sandwich, two coffees, and 3,500 words of useable material.
  • The hour I spent revising felt easier than usual, as I had created solid fiction during the previous five hours.
  • Fewer passages needed pruning.
  • Scene-to-scene continuity was clearer.
  • I felt accomplished earlier in the day.
  • My writing deadlines are now impossible to miss.
  • My fiancé, who also happens to edit The Staghorn Crown seems to like this new approach as it frees up time during the week for us to enjoy each other’s company.
  • I’m happy.

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Writing Wednesday # 3 – Quotes from A New Nine-Novel Fantasy Series

Recently, I have been working on The Witch’s Uprising, the first book in my nine-novel fantasy series A Thousand Watchful Eyes. At the same time, I have planned and started drafting The Staghorn Crown Quintet, a series of five serial novels released to patrons as they are created.


(I’ve included a slideshow of quotes below.)


All twelve of these books are part of my dream to create a massive series that tells the story of a girl, her daughter, and the generations of people who are affected by their actions. It is a story about the strength of humanity in the face of fear, greed, hatred, and ignorance.  All twelve books are set in a magical, medieval-inspired fantasy world known as Brylennia. Working titles for each book are included here.

The Staghorn Crown series follow Quinn, Rhea, Tava, and Celesa and their respective challenges growing up in a magical fortress belonging to an ancient order of magic-wielding women.

The novels from A Thousand Watchful Eyes continue that story, generations after. Twelve-year-old Harlowe, Nineteen-year-old Aurelia, and fourteen-year-old Bryar, each play a part in thwarting the return of an age-old war between the Witch Queen, the Stellaria, and a new agent of ancient evil.

The story, in its entirety, spans all twelve books, each of which are planned (in a massive spreadsheet…Thank you J.K. Rowling for inspiration!).

In the slides below, you can find quotes from the two related story arcs: A Thousand Watchful Eyes and The Staghorn Crown prequel quintet. To support the making of this series, you can become a patron here, or follow me on this blog, Twitter, or Instagram. The links are in top menu.

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If you have a WIP or series that you are working on, please share it in the comments along with a link in your blog. If you enjoyed this post or the idea of this series, please like and share.

-Curtis